Wrong House Theatre presents their inaugural production as a brand new company:
REALLY REALLY
by Paul Downs Colaizzo, directed by Adam Martin.

When morning-after gossip about privileged Davis and ambitious Leigh turns ugly, self-interest collides
with the truth and the resulting storm of ambiguity makes it hard to discern just who’s a victim, who’s a
predator, and who’s a Future Leader of America. All that’s certain is when the veneer of loyalty and
friendship is stripped back, what’s revealed is a vicious jungle of sexual politics, raw ambition, and class
warfare where only the strong could possibly survive. REALLY REALLY takes a deep dive into significant yet very sensitive social questions ranging from sexual assault to social class to white privilege. Some of these questions are currently being circulated en masse in the mainstream media; others, less so. If anything, the play is even more timely today than when it was first written. We know what happens when these issues get aired, but what happens if we don’t know where to assign the blame? (WARNING: Depictions of sexual violence.)

“You’re rich. You’re white. You shouldn’t have a problem.”

CAST
LEIGH: Alyssa Abraham
DAVIS: Andrew Rousso
JOHNSON: Brady Richards
JIMMY: Brendan Byrne
GRACE: Jessika McQueen
COOPER: Joe Reece
HALEY: Shannon McInally

CREATIVE TEAM
DIRECTOR: Adam Martin
SCENIC DESIGNER: Diggle
SOUND DESIGN: Carter Dean
LIGHT DESIGNER: Zack Weeks
EXEC. PRODUCER(S): Jack Creaghan, Samuel Batchelor

Wrong House on Really Really:

The line separating a hero from a villain is becoming increasingly blurry in today’s societal and political climate – and this is particularly true for a technology-driven generation, whose members often can hide behind the mask provided by social media. “Really Really” is necessary now because it rips away the masks of this “Me Generation,” and explores how our actions (or our refusals to take action) trigger a cascade of consequences. Colaizzo’s play has a unique element of ambiguity, and it is in this ambiguity that the play works its magic. The moment the story seems clear, it flips. The moment a side is chosen, it flips again. This is a story that forces hard decisions and challenges choices. It’s a story about survival. Under pressure, what would you do to survive? Once you’ve seen the play unfold and reached your own conclusions about the story and characters, stop. Ask yourself: “what would I do to get what I really want? Really?”