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Teatro Grattacielo Announces the World Premiere of Joseph Summer’s The Tempest
Off-Off
PRICE: Over $40

$60+

Located in Manhattan
Ellen Stewart Theatre, La MaMa
66 E 4th St, New York, NY 10003
DATES:
Jul 16th, 2026 – Jul 18th, 2026
Web Links:


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Marking its world staged premiere, Joseph Summer’s The Tempest brings Shakespeare’s final masterpiece to the operatic stage with vivid imagination and emotional depth. The opera—set to a libretto by the composer’s daughter, Eve Summer—transforms the tale of exile, forgiveness, and renewal into a richly layered musical world. Summer’s tonal yet adventurous score brims with ensemble writing of exceptional beauty, from tender duets to exuberant finales, offering a contemporary voice deeply attuned to Shakespeare’s spirit. Performances are on July 16 at 7PM and July 18 at 3PM at Ellen Stewart Theatre- (Shares at La MaMa), 66 East 4th Street, 2nd Floor, New York, NY. Tickets start at $60 and can be purchased at https://grattacielo.org/season/world-staged-premiere-the-tempest.

“Summer’s musical language is comfortably tonal but sophisticated, ceaselessly inventive and often gripping; he’s a vivid musical storyteller… an embarrassment of riches—the marvelous group numbers just keep coming, culminating in a blazingly celebratory climax.” — Opera News, review of 2015 studio recording of The Tempest

The production will be conducted by Enrico Fagone and directed by Teatro Grattacielo’s Artistic Director Stefanos Koroneos. The cast will include Daniel Klein, Kelly Guerra, Sara Kennedy, Benjamin Sieverding, Omar Najmi, Maggie Finnegan, Chantelle Grant, Sarah Johnson, Jordan Rutter-Covatto, Eliam Ramos, David Gordon, Justin Ryan, DeAndre Simmons, Heather Green, Valia Karagiorga, Shira Ziv, and Jenna Weitman, among other favorites, and will feature the Teatro Grattacielo Orchestra. For more information about the cast and creative team, please visit https://grattacielo.org/season/world-staged-premiere-the-tempest.

In his production concept, director Stefanos Koroneos reimagines Prospero as an exiled filmmaker clinging to a crumbling 1980s studio, where the island becomes a memory-scape of film, love, and trauma endlessly re-staged. The former audience risers transform into the island itself — an unstable terrain of platforms and elevation where characters grasp at power, freedom, and desire. Seated above, the audience occupies the eye of the camera: witness, director, and dreamer at once. This is a Tempest about authorship and obsession, where identity is staged and rewritten, and where control must finally dissolve into the possibility of release.


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