The 92nd Street Y, New York presents Bessie Award-winner Christopher Williams in a double bill that includes the world premiere of Spectre de la Rose, the sixth work in his ongoing Queering the Canon: Reimagining the Ballets Russes series, and the New York premiere of the series’ La Rhétorique des Dieux. Part of the Harkness Mainstage Series’ Home season, performances are in Buttenwieser Hall at the Arnhold Center at 7 pm on Thursday, October 29 and Friday, October 30. Tickets start at $45 and are available at https://www.92ny.org/event/christopher-williams.

A 92NY commission, Spectre de la Rose reimagines Fokine’s 1911 Ballets Russes classic starring Karsavina and Nijinsky, in which a young woman dreams of dancing with the spirit of a souvenir rose from her first ball. Williams refracts the original scenario through a prismatic queer lens inspired by elements of contemporary ballroom culture, drawing on its traditions mingling fantasy and realness in performance. Set to an array of musical selections including Carl Maria von Weber’s Aufforderung zum Tanz (Invitation to the Dance) and sound design by Tei Blow, the work features designs by longtime collaborators Joe Levasseur (lighting) and recent Bessie Award winner Andrew Jordan (costumes).

Set to excerpts from Denis Gaultier’s eponymous suite for Baroque lute, La Rhétorique des Dieux foregrounds the mythic figure of Phaëthon — cast down to the realm of mortals from that of the divine — exploring his encounters with an array of figures from Greco-Roman mythology appearing in unexpected contemporary guises. The work also features lighting by Joe Levasseur along with costumes by Andrew Jordan and Williams.