Alon Nechustan and Brooklyn Music School present the world premiere of Mestizo on Friday, September 24, 2021 at 7pm at the Brooklyn Music School Theater, 126 St. Felix Street, Fort Greene, Brooklyn, NY. The event is FREE and spots can be reserved online at brooklynmusicschool.org/calendar/2021/9/24/mestizo-original-music-for-strings-and-percussion.

Mestizo is a new, groundbreaking work by pianist and composer Alon Nechushtan that explores the hidden connections between Native American melodies, our region as tribal land of the Lenni-Lenape, and the broad jubilation of rhythm, pulse and dance as global syntax. Mestizo is an expression of connectedness to land, people, traditions and language, premiering on National Native-American Day and scored for the award-winning Tesla String Quartet with the Grammy-winning percussionist Samuel Torres.

“I wanted to tell a multilayered story through a series of fourteen vignettes,” said Alon Nechustan. “Each crossing, exploring and honoring in a different rhetoric and musical angle the migration, beauty, uniqueness and relevance that Native American music — and a particularly regional one, right from our Brooklyn, home of the Lenni-Lenape, Mantaukett, Mohegan, Algonquin, among others — have in the ‘now’ moment.” 

“Mestizo” means a person of mixed indigenous heritage, the term did not have a fixed meaning in the colonial period. It was a formal label for individuals in official documentation, such as censuses, parish registers, Inquisition trials, and other matters. Priests and royal officials might label individuals as mestizos, but the term was also used for self-identification for racial mixing that only came into usage in the twentieth century; it was not a colonial-era term. In the modern era, Mestizo is used to denote the positive unity of race mixtures in modern Latin America. In the modern era, particularly in Latin America, Mestizo has become more of a cultural term, with the term Indian being reserved exclusively for people who have maintained a separate indigenous ethnic identity, language, tribal affiliation, etc.

“I chose this title, Mestizo, for the composition inspired by various Native American dances, songs and melodies as an allegory to the diversity and hybrid mix of compositional elements,” said Nechustan. “The traditional monodic character and contour of the melodic content, with the somehow untraditional pairing of sonorous harmonic interpolative and suggestive string instrument orchestration, while hovering above them all, the relentless percussive droning, with its earthy percussive pulse. For my objective reasons only, the title meant to honor the work as a personal creative endeavor, while implying the core nature of the inspirational and often surprising relevance it may have to our contemporary times.”

“I must clarify that Mestizo in its essence is a ‘pure work of fiction’ and not a note to note documentation of assembled melodies,” continued Nechustan. “On the contrary, I admit to have taken a tremendous amount of liberty in the development of sometimes a single melodic nucleus, devising several of my own creations in regarding to voice leading, harmonic language or form, often straying from the puritan approach to arranging-‘documenting’ thus turning the drafting canvas upside down and forming my own music inspired by the aforementioned traditions – not the other way around.”

Nechushtan is quick to point out that Mestizo is a work of fiction, but itʼs one that resonates with the past and is built from extensive background research and sourcing. The performing ensemble group— which is led by Tesla String Quartet is joined in many exotic percussions by grammy winning, Columbian born Samuel Torres, who has an un-parallel ability to tell a story though his percussion gestures, grooves and beats and the unique hybrid between these contrasting musical families- the strings and the percussion section —is the heart of the driving force of the composition:

“I wanted these two core elements, percussion and strings, stand like fire, wind, earth and water elements: each essential for this composition and interact with each other, as our natural preconception is that string quartet is a classical instrument and percussion as a latin, or regional instrument. I wanted to refute this – to have them both equally lead the story and be the protagonists,” Nechushtan said.

This project was supported by City Artist Corps Grant.

COVID-19 Protocols

Masks are required on the BMS premises. 
It is suggested that everyone in the BMS building remain 6ft apart or more. Distancing of 3ft is acceptable if masks are kept on and space has proper ventilation.
We give all who enter the BMS building a temperature check and provide symptom & exposure waivers for any individuals who enter the facility to allow for contact tracing.
All office personnel have been trained on the process for responding to COVID-related incidents, and alerting the leadership administration.
We clean and sanitize the BMS facility frequently and have PPE/sanitizing supplies throughout the building.