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Tomorrow We Love
Off-Off
PRICE: Over $40

Tickets are $45.00 (plus a fee) and can be purchased by visiting EventBrite. Direct ticketing link: https://www.eventbrite.com/e/tomorrow-we-love-a-new-comedy-by-jeffrey-vause-and-steve-hauck-tickets-814457182357

Located in Manhattan
The Chain Theatre
312 West 36th Street
DATES:
Thu, Jun 13th 7:00pm
Fri, Jun 14th 7:00pm
Sat, Jun 15th 2:00pm
Sat, Jun 15th 7:00pm
Sun, Jun 16th 2:00pm
Tue, Jun 18th 7:00pm
Wed, Jun 19th 7:00pm
Thu, Jun 20th 7:00pm
Fri, Jun 21st 7:00pm
Sat, Jun 22nd 2:00pm
Sat, Jun 22nd 7:00pm
Sun, Jun 23rd 2:00pm
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Detailed Information:

A new gender-bending comedic homage to the classic romantic films of the mid-twentieth century written by Jeffrey Vause (Aloha Oy!) and Steve Hauck (“The Marvelous Mrs. Maisel”), it’s 1960 in the wealthy enclave of Noble Bay, California, where Elaine ‘Lainie’ Fairbanks is the toast of the town. She has it all – money, status and an intimate relationship with the Pacific Ocean. Suddenly Lainie must contend with her husband’s betrayal, her daughter’s rebellion, her best friend’s treachery and the wrath of a small town engulfed in scandal. Can she turn tragedy into triumph? Will she crumble or will she soar? Tomorrow We Love is her story – and ours!

Steve Hauck directs a cast of six, including Jeffrey Vause as Elaine “Lainie” Fairbanks, with Alex Herrera (NY: Pride House, Side Show), Phoebe Lloyd (Regional: Loves Labor’s Lost), Jimmy Moon (NY: A Letter to the Bishop), Sarah Sanou (Regional: Measure for Measure, Vanya and Sonia and Masha and Spike), and Robert Sebastian Webb (Regional: The Odd Couple, The Mulligan).

“Jeffrey and I are gay men who both had very special relationships with our mothers,” said co-playwright and director Steve Hauck. “With Tomorrow We Love we aim for intriguing currents of feminism underneath a frothy spoof of those period film melodramas. Unwed mothers!, Unfaithful husbands!, Betrayal!, Seduction!, all played for laughs, but also for real–with cross-gender casting in both directions. We celebrate the pre-Women’s Lib housewives of the 1950’s, using the ‘drag’ genre made famous by Charles Busch, in a unique, smart and loving way.”


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