Imagine a ghost story told in a rural nightmare town where the lights are always gone. Now add livestock, the abandoned women of Eaton, Colorado, and violence in the American West and you’ve got “My Daughter Keeps Our Hammer”, a world premiere play b …Read more

“Ain’t Nothing Sentimental About a Revolution.” –Sunset Baby “Sunset Baby” begins quietly. Baldheaded and creamy voiced, Kenyatta (Tony Award­­­-nominee John Earl Jelks), a former political prisoner and member of the Black Liberation Movement, stare …Read more

In the prodigious Shakespeare canon, gender-benders have always been in vogue. Gender, like the theatre, is a performance and as our notions of gender fluctuate, complicate, and ultimately loosen, it only makes sense that the stage reflects those var …Read more

2013 may be the year of the girls. With the continued success of shows like “Girls” and videos of Miley Cyrus writhing like an oversexed octopus, “Breaking Heels”, a sweet and simple new play by Bryn Lagoni, sounds on paper like a much needed additio …Read more

In theory, everything about promising new playwright Nathan Wright’s “Peninsula” should work: strong plot, great direction, wonderful ensemble, solid writing, and a small horde of ethnically diverse and really attractive people. However, this second …Read more