For the first quarter hour of Heather Kravas’s “a quartet”, I couldn’t see the four dancers’ faces.  This wasn’t true for everyone in the audience: in fact, there were likely only about six or seven of of us in all who watched the dancers’ backs.  St …Read more

The walls at the St. Mark’s Church are thin. At the Thursday performance of Megan Kendzior’s “Witness”, a dance work about the Holocaust that explores, in Kendzior’s words, “the thin line between the humane and inhumane,” moments of silence were thus …Read more

Every November, men around the world grow mustaches in an effort to raise money and awareness for men’s health issues, such as prostate and testicular cancer.  This year, the Broadway community has added their support to the good cause — and the upp …Read more

Paula Vogel, author of the Pulitzer-winning play “How I Learned to Drive”, wrote “The Baltimore Waltz” following the death of her brother, Carl, from complications due to AIDS in 1988.  Upon its premiere Off-Broadway in 1992, it won an Obie for Best …Read more

This November marks American Ballet Theatre’s first season in Lincoln Center’s Koch Theatre in 37 years.  It is a definite step up from New York City Center’s somewhat less dance-friendly space, where the company has danced its fall season for the pa …Read more