Syrian playwright and Applied Theatre practitioner Mohammad Al Attar launches a peaceful yet potent attack. His enemy is the world’s apathetic tendencies towards human suffering in the contentious Middle East. His weapon is the theatre. In Could You …Read more
In true pioneering modern-dance fashion, choreographer Teresa Fellion has set out to do something that many creators might call counter-intuitive: getting butts OUT of seats. In the third version of Fellion’s The Mantises are Flipping, each audience …Read more
Years ago, during a heated, college-theatre class debate on the subject of risk-taking in theatre, I, with the untamed and unearned arrogance of youth, scornfully declared, “You people have no idea what it means to take risks. All this talk of emotio …Read more
