What is the real essence of Sophocles’ Theban plays and why do we still perform it today? Asa Horvitz’s Theban Plays, neither a retelling nor an adaptation of the original trilogy, nevertheless extracts from each story its core philosophical question …Read more

As Edmond Rostand’s famously big-nosed romantic who is capable of dispatching a hundred sword-wielding opponents, yet can’t quite work up the nerve to tell a beautiful girl he loves her, actor Gabriel Barre exudes a sort of world-weariness that seems …Read more

#therevolution, directed by Seth Rozin and presented by InterAct Theatre Company at their new home at The Drake, is bubbling with ideas.  Like all good satire, it is not so hard to imagine a world in which the events that initiate revolution in the p …Read more

In the Amoralists’ Utility, written by Emily Schwend and directed by Jay Stull at the Rattlestick Playwrights Theater, life is neither cruel nor glamorous. Days are merely an accumulation of hours that must be waded through so we can wake up and do i …Read more

Two queens, two religions, one throne, and one man equals constant conflict, and the Metropolitan Opera’s spellbinding production of Gaetano Donizetti’s Maria Stuarda does not disappoint!  From the opening roll of the timpani to the frenzied violins …Read more

Being in a production of A Chorus Line is almost a rite of passage for any actor trying to make it into musical theatre. An irony really, for the show is about nothing if not last chances; it’s a musical about people who have one last chance of being …Read more

Brendan Gall’s Wide Awake Hearts (at 59E59 Theaters—directed by Stefan Dzeparoski for Birdland Theatre) is one of those plays in which life imitates art, hell is other people, and you always kill the thing you love. It’s the sort of play where the cl …Read more

The ingenuity of Austin McCormick — the choreographer, Artistic Director and founder of Company XIV — shines in Company XIV’s production of Snow White. He’s taken on Cinderella, The Nutcracker and, now, this darkly stylized burlesque ballet version …Read more

Chris Hedges’ Death of the Liberal Class, published in 2010, was a rousing, if slightly bleak essay about the perils of capitalism, and how it was a beast allowed to run amok by both Republicans and Democrats, American society according to Hedges was …Read more

The first annual Exponential Fest, created as Brooklyn’s reaction to the host of mid-winter theater fests in the city, pulls no punches. In Biter (Every Time I Turn Around), remounted for the Festival after last year’s run, theater collective Title:P …Read more