A chorus stands in judgement of Hester, La Negrita, the protagonist of Suzan-Lori Parks’ In the Blood, directed by Sarah Benson and loosely based on Nathaniel Hawthorne’s The Scarlet Letter (playing, along with its sister play, Fucking A, at the Sign …Read more

The biggest slog in any Theater History course has got to be Everyman, a fifteenth-century morality play of obscure authorship whose importance rests entirely on its surviving in parchment form up to the modern age while its contemporaries faded to d …Read more