photo by Marc J. Franklin “Keep your eyes on the cards,” instructs the young man on stage as he shifts three playing cards around on a makeshift stand. It’s not so easy as we get lulled by the rhythmic cadence of his voice and his beguiling friendly …Read more

Suzan-Lori Parks, one of the most original and creative voices in American theatre, likes to think big. Her latest work, Father Comes Home from the Wars, Parts I, II, and III, the first part of a proposed trilogy, proves to be a mesmerizing, provocat …Read more

A chorus stands in judgement of Hester, La Negrita, the protagonist of Suzan-Lori Parks’ In the Blood, directed by Sarah Benson and loosely based on Nathaniel Hawthorne’s The Scarlet Letter (playing, along with its sister play, Fucking A, at the Sign …Read more

If you are convinced society has progressed beyond Nathaniel Hawthorne’s vision in The Scarlet Letter, Suzan-Lori Parks has an offering to prove otherwise: Fucking A. In the program notes for the Signature Theatre’s revival production, Parks admits s …Read more

Women’s bodies have been put on display and fetishized throughout history. In the thought-provoking Venus, now playing at the Signature Theatre, playwright Suzan-Lori Parks explores the mania that a particular female body type engenders. Venus tells …Read more