Tartuffe, the womanizing fraud in the eponymous comedy by Molire, is like the man who came to dinner. It’s next to impossible to get him to leave. In Moliere’s play, Orgon, a wealthy man, is having an emotional, religious crisis when he meets Tartuff …Read more

A chorus stands in judgement of Hester, La Negrita, the protagonist of Suzan-Lori Parks’ In the Blood, directed by Sarah Benson and loosely based on Nathaniel Hawthorne’s The Scarlet Letter (playing, along with its sister play, Fucking A, at the Sign …Read more

If you go to see the world premiere of Richard Maxwell’s Samara by Soho Rep. (in the Mezzanine Theatre at the A.R.T./New York Theatres), you may do a double take when the usher hands you a cushion on your way in. “You’ll understand when you get insid …Read more