Are there warning signs? Does it take a certain strength to go through with it (or not go through with it)? Afterward, how do those left behind cope with what has happened? These are just a few of the questions Charly Evon Simpson poses in her play J …Read more

“I’m going to a mime performance. I have no idea what to expect.” Such were my parting words to my roommate as I left my apartment and traveled downtown to Theatre Row. “Should be interesting,” she’d replied, admitting that she’d never seen a mime pe …Read more

Full transparency: I wasn’t sure what to expect from The Listening Room at the New Ohio Theatre. But here’s what I got: a high stakes, edge-of-my-seat, thrilling yet somehow poetic dystopian drama. Inhabiting a space somewhere between The Giver and t …Read more

Macbeth is a play that can easily get out of hand. Witches, murders, and a semi-psychotic title character can quickly devolve into a blood bath starring a raging tyrant, with a side show of Satanic rituals. But that’s not the approach John Doyle take …Read more

A new musical by Anton Dudley and Michael Cooper, Marguerite tells the inspiring true story of Marguerite Bourgeoys, Canada’s first female saint. On a mission to “uncloister” women in the Catholic Church, Marguerite helps found an open religious comm …Read more

After last year’s revelatory Lear, the Shakespeare Forum mounts another bold, insightful production for El Barrio’s Shakespeare Festival 2019. This time, it’s Othello(s)–a work that reimagines Othello from the perspectives of different characters: R …Read more

If you missed the Tony nominated and Olivier Award winning Caroline, or Change when it was in New York several years ago, I have good news: there’s a fantastic production currently running in Astoria. In the capable hands of the Astoria Performing Ar …Read more

The Importance of Being Earnest is widely regarded as Oscar Wilde’s masterpiece, and watching NY Classical’s new production at A.R.T./New York Theatres, it’s easy to see why. No word is out of place, no line is not sharply pointed. The comedy rolls a …Read more

When Francis and Billy Sloane talk about moving into the house up on the hill—once they’ve fixed it up, of course—their words carry a sense of futility. These characters will never move into the house on the hill. They’ll live pathetically in their c …Read more

In the program notes to the Dell’Arte Opera Ensemble’s production of Don Giovanni, director Owen Horsley mentions the #MeToo movement, and Mozart’s opera about the legendary seducer certainly takes on a new significance in a society replete with clai …Read more