What kind of person can laugh amid the jaws of hell? One who knows his survival depends on it. In Cabaret in Captivity, we become those imprisoned in the Terezin Camp as, in commemoration—not celebration—of one year in residence, a group of performer …Read more

Identity is a tricky, complicated thing. That was the main idea I pondered as I left the theatre after Karl O’Brian Williams’ The Black That I Am: a pastiche of monologues, scenes, and movement that traces some of the struggles inherent in being Blac …Read more

Though it seemed a little counterintuitive to leave my Harlem apartment and trek down to the Lower East Side to watch a play about Harlem, I’m glad I did. In She’s Got Harlem on Her Mind, the Metropolitan Playhouse presents three one-acts by Eulalie …Read more

“You have no control who lives, who dies, who tells your story.” If Calamity Jane was a character in Hamilton, I have to think she’d agree with General Washington—probably very vocally, uttering a curse and slamming a bottle of whisky on the table as …Read more

It’s probably safe to say that mime theatre is an underappreciated art form. But if you want to see modern miming at its best, look no further than Broken Box Mime Theater. The company’s most recent production, A BKBX Frankenstein, was an entertainin …Read more

Halloween may be over, but as long as Radiotheatre’s The Haunting of 85 East 4th Street is playing at The Kraine Theater, spooky season is emphatically not. Written by Dan Bianchi, this sufficiently terrifying show, which opened 16 years ago, returns …Read more

What–or should we say who–makes a monstress monstrous? This is the question raised by Hunger & Thirst Theatre’s bluegrass musical Monstress, written by Emily Kitchens with original music by Ben Quinn and Titus Tompkins, and directed by Hondo We …Read more

Sometimes horror works best in short, self-contained stories. Such is the case with the New Ambassadors’ short horror-themed play festival, FEARfest 2022, at Tada! Theater. Seven short plays deal with real and imagined horror: from a possessed hand t …Read more

In The Anthropologists’ Artemisia’s Intent, written and directed by Melissa Moschitto, 17th-century Italian painter Artemisia, played by Mariah Freda, returns to share her insights and experiences with a 21st-century audience. In addition to explaini …Read more

Dr. Mary McLeod Bethune is one of those often overlooked women from America’s past whose story not only deserves, but needs to be told. At TheaterLab, a cast directed by Kathleen Brant take on the challenge via Richarda Abrams’ biopic-style play Beth …Read more