Carol Fredette has decided that she is not going to sing any more downbeat songs, at least when it comes to their lyric content. That sweeping decision has eliminated all of the blues and a large swath of country music, at a minimum, from her possibl …Read more
Expensively produced flash-and-trash is often able to find an enthusiastic audience, even at the high end of the cabaret world. This one-night effort proved that anew, and you didn’t have to go to Las Vegas to see it. Rose, whose show at 54 Below was …Read more
“Hello Dolly,” Natalie Douglas’s recent tribute to Dolly Parton at Birdland, provided a memorable cabaret experience. Her vocal instrument is incomparable; she segues easily from a smoky contralto to a pinging, piercing mix that is as rich and resple …Read more
MAC (Manhattan Association of Cabarets & Clubs) is currently accepting submissions for the MAC sponsored Dottie Burman and John Wallowitch Songwriting Awards. You do not need to be a MAC member to submit for these awards. Submissions are open unt …Read more
On opening night of her new show, “back,” beloved cabaret singer and comedienne Georga Osborne was greeted like a rock star as she made her way to the stage through a packed room at Don’t Tell Mama—she was “back” for her first solo outing in ten year …Read more
There could hardly be a more appropriate song for Ira Lee Collings to open his show “Off the Charts!” with than “I Want to Be Happy” (Irving Caesar, Vincent Youmans), which he performs with a childlike energy and joy, even inviting his audience to sh …Read more
The cabaret act as backers’ audition is not a brand new concept. But Louis St. Louis took it to extremes in this outing, with generous selections from five of the shows for which he has written music (and mostly co-written lyrics) that have yet to ma …Read more
When a chanteuse as talented as Teresa Eggertsen Cooke takes the stage, gently playing the piano and singing songs that you had almost forgotten were your favorites, there is almost nothing better. Eggertsen Cooke, her smoky voice reminiscent of Carl …Read more
Luba Mason slinked onto the stage of the Metropolitan room in a cream floor-length gown accented with blue brocade flowers riding the curves of her lithe frame. Her hips swayed, her shoulders kept the beat, her voice soared from smoky bassoon to blar …Read more
A versatile veteran of New York’s cabaret scene, Patrick DeGennaro has become known not only for the many hats he wears (singer in many styles, musical director, songwriter, and vocal coach), but also for the way he has transformed his look over the …Read more
