THE BOTTOM LINE: Turn To Flesh Productions’ show ‘The Other, Other Woman’ is a form of modern Shakespeare. It’s a fun, modern take on many of the familiar medieval tropes. If you have a love of Shakespeare, then this show is definitely for you! You g …Read more
The clothes are the same, most of the dialogue is the same and of course, the story arc is the same — so why doesn’t Pretty Woman: The Musical have the same appeal as the 1990 movie starring Julia Roberts and Richard Gere? For one thing: it doesn’t …Read more
Isn’t it ironic that a Jewish immigrant from Belarus wrote “White Christmas,” one of the most beloved Christmas songs, as well as one of the most patriotic American songs, “God Bless America?” For these musical contributions and others, Irving Berlin …Read more
THE BOTTOM LINE: New Ohio Theatre presents Worse Than Tigers, a play by Mark Chrisler about a marriage at the brink of a physical final disaster that is a reality of the disaster that already had occurred. And then a tiger comes to their door and one …Read more
THE BOTTOM LINE: Theater Mitu’s piece Remnant is an affecting and surprising reflection on loss. This new work is noteworthy both for its engagement of Theater Mitu’s interdisciplinary practice and for its delicate and empathic look at difficult and …Read more
“In the village, the most respected man is the rainmaker.” – The Narrator Hips twisting, legs moving in a circular fashion as arms are drawn apart and out in a way that shows the progression of something being given or drawn inwards…flips, jumps, ski …Read more
I will always be the first to admit that I was never, ever the cool kid in school. I was somewhere between the well-known-but-not-popular kids and the geeks, thanks to my obsession with Broadway. Thankfully I went to a school that was accepting of ev …Read more
Lillian Hellman’s Days to Come (now at the Mint Theater Company) was not a success when it premiered in New York in 1936. In fact, this second play of the Hellman canon (after The Children’s Hour) was a full-tilt disaster. The three-act drama (played …Read more
In the program notes to the Dell’Arte Opera Ensemble’s production of Don Giovanni, director Owen Horsley mentions the #MeToo movement, and Mozart’s opera about the legendary seducer certainly takes on a new significance in a society replete with clai …Read more
For a one-woman performance, Women on the Verge owes a great deal to a cooperative effort, and it is to the credit of all concerned that Faith Collins’s time on stage is nothing less than captivating. That she performs a genuinely stunning piece of w …Read more