Amy Virginia Buchanan does not make “pretty” theatre, and she is not interested in painting a delicate, agreeable, carefully-worded picture of what it is like to live with Michael, her brother with down syndrome. The Michael Show, Amy’s one-woman pie …Read more
It’s hard to divorce the music of John Williams from the moments it underscores on screen. An evening of the composer’s music presented at the close of the New York Pops’ season went a bit further, contending that Williams’ collaborations with Steven …Read more
Happily After Ever, now playing at 59E59 Theaters, is a story about the newly married Darren (Jeffrey Bryan Adams) and Janet (Molly-Ann Nordin) who desperately desire to build the fairytale life together; but when their first child is born with both …Read more
NEW YORK, April 7, 2016 – BroadwayCon, the hugely successful convention and fan-fest for theatregoers and Broadway enthusiasts returns to New York for its second annual convention. The event brings the Broadway community and theater fans together for …Read more
New York native Hannah Corneau is preparing to take on the role of one of history’s most intriguing women — the fearless, stunning and tactical Eva Peron — as she brings her one-of-a-kind talent to the windy city this spring. Currently in rehearsal …Read more
Norm Lewis has done it all, from big Disney musicals, to Shakespeare in the Park and of course Phantom where he made audiences swoon like never before. His impressive voice, charm and versatility have made him one of the most sought after actors in m …Read more
Migguel Anggelo will charm your pants off. Whether you listen to his albums, watch his music videos, or attend one of his shows, he is the kind of artist who makes sure each and every person gets a truly rich, unique experience. Combining elements of …Read more
A. Rey Pamatmat is Co-Director of the Ma-Yi Writer’s Lab, and a past recipient of the Playwright of New York (PoNY) Fellowship and Princeton’s Hodder Fellowship. His work has been developed at The Public Theater, Playwrights’ Horizons, Ars Nova, and …Read more
Anne Washburn’s plays are not timid about big ideas. In Mr. Burns: A Post-Electric Play she wrangled with the nature of received storytelling; in The Internationalist she meditated on the foibles of human communication with the conceit of a fabricate …Read more
There is something about Anton Chekhov’s The Seagull that seems to invite frequent reinterpretations and adaptations. Perhaps it is the depth of the characters, the subtlety, or the universal themes that do not grow old. As with the endless reimagini …Read more
