It’s sometime hard to locate the missing ingredient in a story: that one element needed to pull everything together. In Ed Meyer’s Finder’s Keepers, an heiress discovers that the priceless painting she’s set to inherit may have been stolen from a Jew …Read more
The Kitchen Play stays true to its title, and doesn’t spare the seasoning. As the Stantons, a middle-class Philadelphia family, navigate their way through a tortuous divorce, every last bit of raw emotion is projected through the food and appliances …Read more
In the midst of heavy plotting and severely under-explored characters, Sing After Storms seeks to create a story that channels both Doubt and Blue/Orange. However, what sets this play back is its reluctance to shift from predictability. Joe Laureiro’ …Read more
Dirt, written by Robert Schneider (and translated by Paul Dvorak), tells the peculiar story of Sad, a Middle Eastern illegal immigrant who lives surreptitiously in a rickety tenement. Sad’s love for his new country is effervescent, and he spends most …Read more
The terrible beauty of Anton Chekhov’s Uncle Vanya is how it deeply reveals the cause of human unhappiness. To quote the Buddha, suffering comes from attachment and the inability to accept what is. Each of the main four characters in The Pearl Theatr …Read more
“I didn’t want to be a nurse, I wanted to be a rapper.” — Craig “muMs” Grant I should confess my bias: One, I don’t love one-man shows. Two, I have a massive artistic crush on Craig “muMs” Grant. All things considered, Mr. Grant doesn’t disappoint w …Read more
The Man Who Mistook His Wife for a Hat, a book by the neurologist Oliver Sacks about his patients case histories, contains stories so remarkable that they far surpass the fantasies of fiction. The Valley of Astonishment, written and directed by Peter …Read more
It is not easy to pull off a one-man show, ever. It is less easy to do this when the show is a personal history because these things so, so frequently become funky sermons or demands for attention to experiences not necessarily riveting to anyone but …Read more
Mr. Landing Takes A Fall, now playing at The Flea Theater, was written, according to the playwright Sari Caine, as a reaction to misunderstanding another play, Harold Pinter’s The Room. It’s quite clear that Mr. Landing was written while feelings of …Read more
Suzanne Tanner’s Beyond Me: A Song Cycle in the Key of Survival, is a solo effort and it is not. It is very much a collaboration on the stage at Theatre Row, and of an extremely intimate nature. Tanner presents, in multimedia and relying on extensive …Read more