As I watched Mohammad Rahmanian’s play Interview at the New York International Fringe Festival, I was reminded of the 1966 film The Battle of Algiers. I saw the latter years ago, and was haunted by the intense images director Gillo Pontecorvo used to …Read more

I had the pleasure of catching the very impressive Lisa Flanagan this week in La Donna Improvvisata, a show that makes improvising an entire one-person opera look remarkably easy. It begins with Flanagan asking the audience to choose an opera charact …Read more

When the popular British comedienne Margaret Rutherford was cast as Agatha Christie’s brilliant amateur detective Miss Jane Marple for a series of British movies in the 1960s she wasn’t quite sure she wanted the job. And Christie wasn’t quite sure sh …Read more

Vestments of the Gods should have been made as a stop motion film in the vein of The Nightmare Before Christmas and Paranorman and this is nothing if not a compliment; for the way in which Owen Panettieri’s sophisticated musical combines the macabre …Read more

  Lancelot: The brave knight of King Arthur’s Round Table who had an adulterous affair with Queen Guinevere, then rescued her from the stake when she was about to be burned for treason. Ryan: The youngest manager of a store named United Goods in …Read more

In a world full of Magical Negros, only one in particular, Jamil Ellis, has been able to effectively capture the shame and sadness that comes with typecasting people of color. His one-man show, Magical Negro Speaks is Ellis’ way of telling the storie …Read more

What would a reunion between former cult members look like? Would it be fun? Would it be nostalgic? Would it be scary? Excavation Theater Company’s The Lost Ones, currently showing as part of the New York International Fringe Festival, plays with thi …Read more

A new kind of bible study has come to The Players Theatre, where playwright Andrew R. Heinze and director Amy Wright bring Moses, The Author to a riveting 2014 FringeNYC lineup. No need to brush up on your Old Testament facts, though; the cerebral co …Read more

Walking into the Robert Moss Theatre to see the premiere performance of Catherine Yu’s The Sun Experiment, presented by Helikon Rep as part of the New York International Fringe Festival, I understood next to nothing about the life and ideas of Ludwig …Read more

Set in the Dust Bowl in the harsh years following the Great Depression, Dust Can’t Kill Me is a new country musical by Abigail Carney (Book) and Elliah Heifetz (Music & Lyrics), which opens with an irresistible invitation: as the charming Montgom …Read more