Émilie du Châtelet was playing around with physics more than a century before Einstein entered the scene. Her analysis of force and velocity, which she articulated as F = mv², would pave the way for Einstein’s much more famous equation. But her gende …Read more

Most people today (myself included) have an absence of ritual in their lives, and never is this more apparent than at this time of year–when Catholics worship in specifically orchestrated ways almost every day of the week and Jews observes a 3000-ye …Read more

Dance can be a powerful vehicle for storytelling, for expressing emotion, and for conveying truths that are sometimes difficult to articulate in words. If you need proof, go see J. Chen Project’s AAPI Heroes: Myths and Legends, currently playing at T …Read more

What kind of person can laugh amid the jaws of hell? One who knows his survival depends on it. In Cabaret in Captivity, we become those imprisoned in the Terezin Camp as, in commemoration—not celebration—of one year in residence, a group of performer …Read more

Identity is a tricky, complicated thing. That was the main idea I pondered as I left the theatre after Karl O’Brian Williams’ The Black That I Am: a pastiche of monologues, scenes, and movement that traces some of the struggles inherent in being Blac …Read more

Though it seemed a little counterintuitive to leave my Harlem apartment and trek down to the Lower East Side to watch a play about Harlem, I’m glad I did. In She’s Got Harlem on Her Mind, the Metropolitan Playhouse presents three one-acts by Eulalie …Read more

“You have no control who lives, who dies, who tells your story.” If Calamity Jane was a character in Hamilton, I have to think she’d agree with General Washington—probably very vocally, uttering a curse and slamming a bottle of whisky on the table as …Read more

It’s probably safe to say that mime theatre is an underappreciated art form. But if you want to see modern miming at its best, look no further than Broken Box Mime Theater. The company’s most recent production, A BKBX Frankenstein, was an entertainin …Read more

Halloween may be over, but as long as Radiotheatre’s The Haunting of 85 East 4th Street is playing at The Kraine Theater, spooky season is emphatically not. Written by Dan Bianchi, this sufficiently terrifying show, which opened 16 years ago, returns …Read more

What–or should we say who–makes a monstress monstrous? This is the question raised by Hunger & Thirst Theatre’s bluegrass musical Monstress, written by Emily Kitchens with original music by Ben Quinn and Titus Tompkins, and directed by Hondo We …Read more