Scene: the Sakha Republic, Siberia. Some time in the future, a genetically engineered mammelephant (half mammoth, half elephant) has an existential crisis in a man-made park created to solve climate change. That’s more or less the entire plot of Lanx …Read more
Kathy Ng’s Happy Life, directed by Kat Yen at Walkerspace, is not a show for everyone. Nor is it a show for the faint of heart. But if kinky, morbid humor is your thing, well guess what, it’s your lucky day, because this is a kinky, violent, tentacle …Read more
10-year-old Sarah Silverman has one big, big problem. Well, to be honest, she has more than one problem. Her parents are newly divorced, her mother hasn’t left her bed in weeks, and her older sister won’t even acknowledge her at school. But Sarah, a …Read more
I’ve seen some weird stuff lately, but I’m very glad I took a chance on French playwright/director David Lescot’s Dough. A Compagnie du Kairos production presented by Villa Albertine and the New Ohio Theatre (which is where it’s staged), it’s a smart …Read more
In the name of liberty, four robbers are hatching a plot to steal everyone’s phones. They’re dressed in gray uniforms that sort of resemble pajamas, and black felt bandit masks that seem to not quite fit over their eyes. One robber has his mask on up …Read more
Maya Angelou’s 1969 memoir I Know Why the Caged Bird Sings has already been adapted for both film and stage, but New York City Children’s Theater’s world-premiere production at Theatre Row is the first stage adaptation for young audiences. And it’s p …Read more
What does it mean to be a Jew today? That’s the main question asked in Michael Takiff’s clever if convoluted solo show Jews, God, and History (Not Necessarily in That Order), currently playing The Siggy Theater at The Flea. In a series of dizzyingly …Read more
“Poetry is what gets lost in translation,” said Robert Frost. And after watching Anchuli Felicia King’s engrossing and poetic Golden Shield, I’m inclined to add “as is love.” Directed by May Adrales at New York City Center, the Manhattan Theatre Club …Read more
“I want to write something so Black that God can’t ignore me.” Playwright and performer Kareem M. Lucas speaks these words while standing on a huge wooden cross enshrined in a massive gold frame. The play is iNegro, a rhapsody, directed by Zoey Marti …Read more
From time to time, to quote my favorite song from Dear Evan Hansen, “words fail.” At the moment, words fail as I search for a way to describe (and adequately praise) a show whose gentle beauty and emotional force defy description, and which, ironical …Read more
