Émilie du Châtelet was playing around with physics more than a century before Einstein entered the scene. Her analysis of force and velocity, which she articulated as F = mv², would pave the way for Einstein’s much more famous equation. But her gende …Read more

photo by Julieta Cervantes Most musicals feature two or three impressive dance numbers, numbers that leave the audience breathless. However, often those dances are incidental to the story. Then there’s the revival of “Bob Fosse’s DANCIN” which begins …Read more

Most people today (myself included) have an absence of ritual in their lives, and never is this more apparent than at this time of year–when Catholics worship in specifically orchestrated ways almost every day of the week and Jews observes a 3000-ye …Read more

Dance can be a powerful vehicle for storytelling, for expressing emotion, and for conveying truths that are sometimes difficult to articulate in words. If you need proof, go see J. Chen Project’s AAPI Heroes: Myths and Legends, currently playing at T …Read more

photo by Matthew Murphy and Evan Zimmerman The good news about “Bad Cinderella,” the new musical with music by Andrew Lloyd Webber and lyrics by David Zippel is that it’s not all that bad. The costumes are frothy, colorful and delightfully gaudy, alt …Read more

photo by Joan Marcus Most shows on Broadway begin with an announcement reminding the audience to turn off phones and recording devices. The revival of the musical “Parade” begins with a recorded message from Reverend Warnock, Senator from Georgia. In …Read more

Jessica Chastain is undeniably one of the finest actresses performing in the movies today. When it was announced that she would return to Broadway after an 11 year gap, it was considered an event. Starring in Henrik Ibsen’s “The Doll’s House,” Chasta …Read more

What kind of person can laugh amid the jaws of hell? One who knows his survival depends on it. In Cabaret in Captivity, we become those imprisoned in the Terezin Camp as, in commemoration—not celebration—of one year in residence, a group of performer …Read more

Identity is a tricky, complicated thing. That was the main idea I pondered as I left the theatre after Karl O’Brian Williams’ The Black That I Am: a pastiche of monologues, scenes, and movement that traces some of the struggles inherent in being Blac …Read more

Though it seemed a little counterintuitive to leave my Harlem apartment and trek down to the Lower East Side to watch a play about Harlem, I’m glad I did. In She’s Got Harlem on Her Mind, the Metropolitan Playhouse presents three one-acts by Eulalie …Read more