Maya Angelou’s 1969 memoir I Know Why the Caged Bird Sings has already been adapted for both film and stage, but New York City Children’s Theater’s world-premiere production at Theatre Row is the first stage adaptation for young audiences. And it’s p …Read more

What does it mean to be a Jew today? That’s the main question asked in Michael Takiff’s clever if convoluted solo show Jews, God, and History (Not Necessarily in That Order), currently playing The Siggy Theater at The Flea. In a series of dizzyingly …Read more

“Poetry is what gets lost in translation,” said Robert Frost. And after watching Anchuli Felicia King’s engrossing and poetic Golden Shield, I’m inclined to add “as is love.” Directed by May Adrales at New York City Center, the Manhattan Theatre Club …Read more

Once upon a time there was a neighborhood in Lower Manhattan called The Five Points. For over 70 years, it was a crowded slum, populated mostly by newly -freed slaves and ethnic Irish. Although there was much tension, historically the area is conside …Read more

A female press secretary, a female chief of staff, a first lady and several female assistants but even all of them together can’t keep the hapless president from occasionally opening his mouth and putting his foot in it or insulting foreign dignitari …Read more

“I want to write something so Black that God can’t ignore me.” Playwright and performer Kareem M. Lucas speaks these words while standing on a huge wooden cross enshrined in a massive gold frame. The play is iNegro, a rhapsody, directed by Zoey Marti …Read more

From time to time, to quote my favorite song from Dear Evan Hansen, “words fail.” At the moment, words fail as I search for a way to describe (and adequately praise) a show whose gentle beauty and emotional force defy description, and which, ironical …Read more

Black comedy, or gallows humor, is a style of story telling that makes light of subject matter usually considered somewhat taboo, like death, suicide and disease. Either term applies to Martin McDonagh’s latest play, “Hangmen.” Harry, the main charac …Read more

“Whether on stage in front of an audience, or over the phone to a friend – we need to tell our stories. When we tell our stories, we give others permission to do the same. This is how we break the stigma.” So says Adina Taubman in the program note fo …Read more

Mary Todd Lincoln: misunderstood First Lady, bereft mother, obsessive widow–and now, the unlikely subject of a trippy piece of experimental theatre. In american vicarious’ new work Shooting Celebrities, written by John Ransom Phillips and directed b …Read more