I’ll admit I came in predisposed to like Randy Sharp’s production of Washington Square. Henry James is one of my favorite authors, and I read the story of Catherine’s ill-fated hopes earlier this year. The Axis Theatre Company did not disappoint, cre …Read more

When aspiring young actress Tig Kennedy is raped by her would-be producer, she faces a wrenching choice: expose the wrongdoing and turn her back on a promising career in Hollywood? Or brush her trauma under the rug and continue with business as usual …Read more

Storytelling, on perhaps its most basic level, is a means of transmitting memories and messages from one generation to the next. As such, it becomes a sort of ritual. By sharing our stories with others, we’re released from the burden of carrying them …Read more

Gertrude Stein’s Four Saints in Three Acts is, to put it bluntly, nonsensical. An avant-garde opera with a libretto by Stein and a score by Virgil Thomson, it’s more word-driven than plot-driven: the libretto repeats the same lines endlessly, strings …Read more

A CIA newbie with orders to remove the Chilean President walks into a bombed out palace. What could go wrong? In Mark Wilding’s delightful comedy Our Man in Santiago, loosely inspired by the Nixon Administration’s failed attempt to remove the Chilean …Read more

What’s it like to work at a job that’s slowly sucking the life and soul out of you–and is it worth it? That seems to be one of the questions asked by Alexander Perez in his dark comedy Randy’s Dandy Coaster Castle, directed by Rebecca Martinez and p …Read more

“There’s no reality in which I don’t fall in love with you.” So says a nervous but excited bride on her wedding day, as she and her husband-to-be wait for their civil ceremony. A 10-minute one act, Iphis and Ianthe at the Courthouse is inspired by Ov …Read more

From time to time, a play can take you by surprise. That was the case with Chain Theater’s macbitches, written by Sophie McIntosh and directed by Ella Jane New. While intrigued by the premise—when a freshman lands the coveted role of Lady Macbeth, fo …Read more

Eartha Kitt was described by Orson Welles as “the most exciting woman in the world.” Yet for 10 years, she was blacklisted from work in the United States. Why? Because she spoke her mind in front of Lady Bird Johnson. At a White House women’s luncheo …Read more

What makes a play queer? Is it simply a queer cast? A queer aesthetic? Or something more? Billed as a queer and gender-blind, abridged and I quote “hilarious version of this beloved classic,” Sister Shakes Productions’ Romeo & Juliet (presented b …Read more