Gypsy’s patriotic performer shares her fave food picks before or after a show.  Though we understand their circumstances may have been a bit different, like Oliver and his clan of orphan boys, we’ve all fallen into a daze dreaming of “food, glorious …Read more

Gertrude Stein’s Four Saints in Three Acts is, to put it bluntly, nonsensical. An avant-garde opera with a libretto by Stein and a score by Virgil Thomson, it’s more word-driven than plot-driven: the libretto repeats the same lines endlessly, strings …Read more

In Debate: Baldwin vs. Buckley at A.R.T./New York South Oxford Space, the american vicarious recreates the famous event word for word, with Teagle F. Bougere as Baldwin and Eric T. Miller as Buckley. (Christopher McElroen directs.) The debate may be …Read more

John Patrick Shanley is legendary, so it’s no surprise that his new one-act plays (billed as “five short digressions”), premiering at the Brooklyn Navy Yards by the Bridge Production Group, make for a night of laugh-out-loud, razor-sharp comedy. (I A …Read more

At this point, countless musicals (some good, some not so good) have been written on just about every topic under the sun. But a musical about two people writing a musical? Now playwrights are just scraping the bottom of the barrel. Or so it would se …Read more

The Barricade boys are a four-man vocal group from the U.K. where all the members are from various high-profile productions of shows including London’s production of Les Misérables. Along with the vocalists is a very talented band assisting in these …Read more

THE BOTTOM LINE: Presented by Brooklyn Opera Works at the Brooklyn School of Music as part of the Summer Vocal Arts series, this modern opera based on the myth of Echo and Narcissus is timeless story about love and death. Written by the 34-year-old P …Read more

THE BOTTOM LINE: Theater Mitu’s piece Remnant is an affecting and surprising reflection on loss. This new work is noteworthy both for its engagement of Theater Mitu’s interdisciplinary practice and for its delicate and empathic look at difficult and …Read more

What strikes about the Royal Shakespeare Company’s production of King Lear now running at the Brooklyn Academy of Music, isn’t necessarily the power of Antony Sher’s performance as the mad royal of the title (more on him to come), but its undeniable …Read more

Arin Arbus doesn’t beat around the bush in her production of Shakespeare’s tragicomedy The Winter’s Tale (at Theatre for a New Audience’s Polonksy Shakespeare Center). She knows many of us are going to be waiting for that bear to show up in Act III a …Read more