Oh. Magic… Am I being too dismissive? I mean, really though. What hasn’t already been done? And yet, I really enjoyed Gary Ferrar’s “Nothing Here is Real” show. Yeah – now you don’t necessarily need to read any further. But wait, there’s more! Beca …Read more
Although not a particularly good actress, Lorraine is always playing a part. Fortunately for the audience, Lorraine is portrayed by a particularly good actress, Susan Sarandon. In his new play “Happy Talk,” named after the song from “South Pacific”, …Read more
If you missed the Tony nominated and Olivier Award winning Caroline, or Change when it was in New York several years ago, I have good news: there’s a fantastic production currently running in Astoria. In the capable hands of the Astoria Performing Ar …Read more
Classic plays have universal themes and meaningful dialogue. Often the challenge for modern directors is how to mount the plays creatively and who to cast in iconic roles. William Shakespeare’s “King Lear” and Arthur Miller’s “All My Sons” both deal …Read more
Before there were the gory massacres and rapes of GOT, there was “Titus Andronicus,” one of Shakespeare’s first tragedies. A revenge play, it was one of his most violent works ,and in it, all the central characters were killed, some in very unusual a …Read more
I had to think about it for a moment, had I ever seen this play before? It’s Agatha Christie, I must have – no? And it turns out, I haven’t. But the name on the writers credit says it all – You know what to expect: A boardroom drama with various trou …Read more
Who would have ever thought the words ‘dark’ and ‘sexual’ would ever apply to the 1943 classic musical Oklahoma? Without considerable changes to the script or the music, director Daniel Fish has totally reimagined the musical, infusing a whole new v …Read more
The Barricade boys are a four-man vocal group from the U.K. where all the members are from various high-profile productions of shows including London’s production of Les Misérables. Along with the vocalists is a very talented band assisting in these …Read more
The original production of the 1937 play with music, “The Cradle Will Rock” by Marc Blitzstein was almost as significant as the show itself. The play, which was funded under the WPA’s Federal Theatre Project, was directed by Orson Welles and produced …Read more
“We don’t need another hero,” sang Tina Turner. Well, maybe we don’t really need another musical about superheroes either. The short-lived Off-Broadway musical “Superhero,” with book by John Logan, and music and lyrics by Tom Kitt, begins well, but u …Read more