New Year’s Eve, 1969. Jimi Hendrix and the Band of Gypsies, an electric psychedelic blues trio, play a legendary show at the Fillmore East in New York City. The Hendrix Project, an experimental performance much like Hendrix’s own music, is an homage …Read more

The Gates: An Evening of Stories with Adam Gopnik The numbers 9 and 11 have held a special significance throughout Adam Gopnik’s life as a New Yorker. They were the dimensions of the first apartment he rented with his wife upon arriving in the city, …Read more

Sarah Rothenberg’s exquisite A Proust Sonata: 7 Tableaux En Musique debuted January 10th at The French Institute’s Florence Gould Hall, produced by Da Camera of Houston Productions. It’s easily the most ravishing event I’ll see this year. If you are …Read more

There is the idealized New York the world sees on film, and then there is the real New York the people live out every day. And no one lives it more fully than a young person whose greatest, and sometimes only, resource is their own resilience. Seven …Read more

Just when you thought you couldn’t adore John Lithgow any more after his Emmy-winning performance as Winston Churchill in The Crown, well, now you can. Lithgow is currently playing to enraptured houses on Broadway in his disarmingly funny one-man sho …Read more

Lester Bangs, the iconic, diehard rock ’n roll music critic of the 1960s and ‘70s, is both the unwilling subject and the fast talking narrator of How to Be a Rock Critic, now playing at the Public Theater’s Under the Radar Festival. Bangs, most famou …Read more

Watching Thunderstorm 2.0, at the Public Theater’s Under The Radar Festival, is like watching a thunderstorm out in nature, if real thunderstorms could actually get the lights and the sound to match up. Perhaps it is because we are living in the age …Read more

Man is not kind in Mankind, but he’s funny, at least. Robert O’Hara, whose play is currently in residence at Playwrights Horizons, emphatically states this idea in his director’s notes. “I’ve been thinking about Mankind…has man EVER been kind?” The …Read more

Every director puts a unique spin on whichever play they produce, but not every director does so by literally incorporating spinning. This is how Eric Tucker chose to direct Bedlam’s Sense and Sensibility, Kate Hamill’s adaptation of Jane Austen’s no …Read more

A portrait of the artist as a grieving mother comes to The Pershing Square Signature Center in Mary Shelley’s Frankenstein. The show, written by Ensemble for the Romantic Century (ERC) Artistic Director Eve Wolf and directed by Donald T. Sanders, is …Read more