In The Anthropologists’ Artemisia’s Intent, written and directed by Melissa Moschitto, 17th-century Italian painter Artemisia, played by Mariah Freda, returns to share her insights and experiences with a 21st-century audience. In addition to explaini …Read more

photo by Joan Marcus In his most personal work yet, playwright Tom Stoppard tells the story of the Merz family. Somewhat autobiographical, “Leopoldstadt” begins with a tableau of an extended family in Vienna in 1899. It is Christmas time, and, althou …Read more

photo credit @ Jeremy Daniel The play “Cost of Living” by Martyna Majok will touch your heart and resonate in your consciousness long after you’ve left the Samuel J. Friedman Theatre. Deftly directed by Jo Bonney, the 2018 Pulitzer Prize winning pla …Read more

Dr. Mary McLeod Bethune is one of those often overlooked women from America’s past whose story not only deserves, but needs to be told. At TheaterLab, a cast directed by Kathleen Brant take on the challenge via Richarda Abrams’ biopic-style play Beth …Read more

I’ll admit I came in predisposed to like Randy Sharp’s production of Washington Square. Henry James is one of my favorite authors, and I read the story of Catherine’s ill-fated hopes earlier this year. The Axis Theatre Company did not disappoint, cre …Read more

When aspiring young actress Tig Kennedy is raped by her would-be producer, she faces a wrenching choice: expose the wrongdoing and turn her back on a promising career in Hollywood? Or brush her trauma under the rug and continue with business as usual …Read more

Storytelling, on perhaps its most basic level, is a means of transmitting memories and messages from one generation to the next. As such, it becomes a sort of ritual. By sharing our stories with others, we’re released from the burden of carrying them …Read more

Gertrude Stein’s Four Saints in Three Acts is, to put it bluntly, nonsensical. An avant-garde opera with a libretto by Stein and a score by Virgil Thomson, it’s more word-driven than plot-driven: the libretto repeats the same lines endlessly, strings …Read more

photo by Matt Murphy / @murphymade When a show moves from a big Broadway stage to an off-Broadway venue, something’s gotta give. Whether it’s the staging, the size of the cast, or the number of musicians. Will the Off-Broadway audience enjoy the same …Read more

A CIA newbie with orders to remove the Chilean President walks into a bombed out palace. What could go wrong? In Mark Wilding’s delightful comedy Our Man in Santiago, loosely inspired by the Nixon Administration’s failed attempt to remove the Chilean …Read more