In its first revival, appropriately debuting on International Women’s Day, R.T. Robinson’s work The Cover of Life depicts all the hopes and regrets women face, no matter how happy they are with the choices they make. Set in 1943, the show opens with …Read more
There’s been some well-intentioned talk in the last couple of years about how artists might help bridge the chasm between red states and blue, or—maybe even trickier—the gap between red and blue factions within a single community. So far, the talk se …Read more
Playwright Sarah Burgess impressed theater audiences in 2016 with her play Dry Powder, an insightful behind-the scenes picture of private equity firms. Directed by Thomas Kail (Hamilton) and produced by The Public Theater, the drama illustrated the …Read more
Edward Albee first wrote The Zoo Story in 1959, but feeling it could use a little more substance (particularly regarding one of the characters, Peter), decided to add on Homelife as the first act…about fifty years later. The “complete” play, Peter …Read more
The title of the new play by James Inverne at The Cherry Lane Theatre is misleading. A Walk With Mr. Heifetz sounds like a play focused upon the famous Russian-born Jewish violinist. Yet it is really about Yehuda Sharett, an Israeli composer-musici …Read more
The downtown New York City art scene comes alive in performance artist John Kelly’s multimedia solo show, Time No Line, playing at La MaMa. A play on the word timeline, Time No Line incorporates Kelly’s own personal journals from the past 40 years to …Read more
What’s fate without a little push? Certainly nowhere near as a funny as Stiff, Dallas playwright Jeff Swearingen’s zippy, big-hearted black comedy, now onstage at Manhattan’s TBG Theater. The intimate Off-Broadway venue is a cheeky home for this play …Read more
“I don’t want to be tolerated. I want to be respected.” So states Azeem Bhatti (the outstanding Sanjit de Silva) to his friend and coworker David (Andrew Hovelson) in Hammaad Chaudry’s stunning new play An Ordinary Muslim, directed by Jo Bonney. Whil …Read more
Terminus is an emotional tour de force, and while it benefits from the intimacy of its home Next Door at New York Theatre Workshop, it buzzes with the potential as the next great play in the pantheon of American theater, if only given the space. Thro …Read more
Beloved screen icon Hayley Mills, of The Parent Trap and Pollyanna fame, is back on the New York stage with Party Face, a female driven comedy by Isobel Mahon, in which Mills plays Carmel, the not-always-very-nice mother of Mollie Mae (Gina Costigan) …Read more