It isn’t until the final scene of Debra Whitfield’s new play FIRE that the drama’s various threads intertwine and the playwright’s ultimate purpose becomes clear. However, that doesn’t mean the rest of the play leading up to that point is inferior. I …Read more

“I think it is beautiful, what he did. I think he is brave.” That was Maria Alyokhina’s response during the interview section of the new performance piece by Belarus Free Theatre’s Burning Doors. It was a question posed to her by an audience member r …Read more

Sometimes, a play really surprises me. Tomorrow in the Battle, a high stakes drama on love and morality by Kieron Barry, directed by Tana Sirois, is an effective and fun piece of theater storytelling. Despite the fact that the play had little product …Read more

Dickie Beau’s work is as personally spiritual as it is rigorous and inventive, as intimate as it is interesting, and his limited run at Abrons — part of the Crossing the Line Festival — was a must-see for those enveloped in the performance matrix as …Read more

Whiskey Pants: The Mayor Williamsburg, a new musical directed and composed by Christian De Gre, is a remarkably silly new work, now up at the HERE Arts Center. And while some of the silliness leaves something to be desired, a lot of it is at the beat …Read more

Emmy Award-winning Letterman writer Ted Greenberg takes us back to December 18, 1987 in his taxi cab — a pivotal moment in the young Harvard student’s life. It’s the nine-year anniversary of his overdue paper on Edmund Spenser’s The Faerie Queene. I …Read more

For those who were weaned on Jackie Gleason’s sitcom The Honeymooners, there’s cause to rejoice. There’s a new musical based upon the 1950s classic characters, directed by award-winning John Rando (Urinetown, On The Town) premiering at The Paper Mill …Read more

We probably don’t need another reminder right now that a compact brain, the miracle of fire, and a few lines of iambic pentameter are pretty much all that separate us from our prehistoric ancestors. But here comes one anyway: Boundless Theatre Compan …Read more

Why is it so hard to create a successful adaptation of Mary Shelley’s Frankenstein? That was the question I pondered as I watched Eric B. Sirota’s new Frankenstein musical, directed by Clint Hromsco at St. Luke’s Theatre. And as far as Frankenstein a …Read more

If you leave Tiny Beautiful Things, which opened last night at The Public’s Newman Theater, without having wept along with the rest of the audience for at least a few moments, you make up the small minority. In a time when large-scale horrors seem to …Read more