Blood Boundary, a play set in 1920s Oklahoma right before the 1921 Tulsa Race Riot, depicts a family with Cherokee roots but different skin tones, and what that means to themselves and each other, and their safety, as they move around an ever-unsafe …Read more

“What’s it gonna be then, eh?” Well well well, one scenario could be a Hi-NRG music video featuring the dancing droogs. Another, the once seen never forgotten Pacino movie Cruising. Such associations spring to mind while watching Liverpudlian directo …Read more

In this day and age, writing a musical in rhyming iambic pentameter is a little gutsy. To pull it off, you’re going to need a good playwright and a darn good cast. Happily, The York Theatre Company has both of those, and as a result, their Shakespear …Read more

Wicked Clone or how to deal with the evil, the cinema musical at St. Luke’s Theatre penned and performed by the Indiggo Twins, has a lot going for it. For one thing, the twins themselves (Mihaela and Gabriela Modorcea) are natural performers and a pl …Read more

I shouldn’t be surprised that an offering at New York Theatre Workshop would be an exceptional piece of theater, but Amy Herzog’s Mary Jane directed by Anne Kauffman, transcends even the highest of my expectations. Before I begin, I should admit that …Read more

Brilliant Traces, written by Cindy Lou Johnson and directed by David Newer, is a love story set in a remote cabin in Alaska during a whiteout between a woman who is running away because she doesn’t want to become indistinguishable and a man who is hi …Read more

The sets are gorgeous, the costumes are gorgeous and frankly, Annette O’Toole is really, really gorgeous, too. Oh, sure, they’ve tried to tone her down, as the acidulous and earthy Mrs. Fisher in George Kelly’s The Show-Off, produced by the Peccadill …Read more

In John Doyle’s pared down As You Like It, opening Classic Stage Company’s 50th season, the forest of Arden is not filled with trees but rather a grove of globe-shaped lights hanging from the theater’s rafters, a brick wall with a small overhanging s …Read more

The Arctic Group’s Pomegrenade, written and directed by Ran Xia and performed at IRT, a cozy little space a stone’s throw from the Hudson River, is a Chuck Mee-style reimagining of the Greek myth of Persephone, where the consequences of the goddess’s …Read more

Monica Bill Barnes and Anna Bass are the most fun choreographers ever. They may also be the most fun people ever, but I haven’t met everyone so who can say. What you may miss at their new production at the Women’s Project, One Night Only (running as …Read more