Australia’s Erth Visual & Physical Company comes to New York February 4th and 5th to perform four performances of Dinosaur Zoo Live!, an interactive theatrical event for kids. We spoke with puppeteer Miron Gusso to find out more about the show. W …Read more

Australian entertainer Michael Griffiths is bringing his show In Vogue: Songs by Madonna to Feinstein’s/54 Below, so we spoke to him about his love for the legendary pop icon, why he thinks she’s an underrated songwriter, and even dream cast a Madonn …Read more

The dining scene of New York’s Theater District is quickly becoming one of the best of the city, and few people know it better than the actors who call the neighborhood their second home. In this installment of thEATer we interviewed Kristolyn Lloyd, …Read more

Even though Orange Julius has some elements that would lead some people to label it as either a “queer” or “Vietnam” play, its writer Basil Kreimendahl has managed to juggle with these elements in such way that the play defies easy categorization. Ra …Read more

Directing a play is always a challenge, so directing two at the same time is definitely demanding (especially if you’re doing your own sound design). That’s what Rick Lombardo pulled off this season, directing Albatross at 59E59 Theaters and Ring Twi …Read more

It’s strange to think that the more time moves forward and society advances, the more prudish our culture becomes. Watching the world premiere production of Yours Unfaithfully at the Mint Theater’s home in Theatre Row feels surreal because the play i …Read more

“Maybe given my brains and disposition, I’ll immigrate and be a politician.” So says Dorante, the titular fabulist at the center of David Ives’ adaptation of Corneille’s The Liar now playing at Classic Stage Company. I saw it on a drizzly Inauguratio …Read more

In Funeral Doom Spiritual, composer M. Lamar elevates the insurmountable grief of the systemic oppression of Black America into music. Lamar’s work draws from opera, metal, and Negro spirituals to condemn the recent police executions of Black men whi …Read more

The compilers of Shakespeare’s First Folio wrote in their introduction that the Bard hardly ever blotted a line. The claim received a famous rejoinder from Ben Johnson: “Would that he had blotted a thousand.” Nu-Ance Theatre’s production of Hamlet, r …Read more

In a setting that will be familiar to anyone who relied on the MTA to make it to the show, In Transit uses a subway station as a jumping off point, launching into the interconnecting lives of several New Yorkers struggling to figure out where they’re …Read more